Category: Release

Madrigal (for Gesualdo) by Christian Rønn & TR Kirstein

Topos, the danish forefront of interesting musings and beyond, is releasing “Madrigal” today. A piece of music by Tobias Kirstein and Christian Rønn recorded live in 2017. Two organs, 8 oscillators, wooden floor and ceiling, stonewalls, some people and a good amount of time and patience.

Christian Rønn works with improvisation, electroacoustics, fixed composition, soundart and film-music, performing and writing in a variety of combinations and constellations. F.ex. with Ikue Mori, Peter Peter, Aram Shelton and P.O. Jørgens. Points of interest: unrecognizable states of being, transcendence, journey beyond language. His energetic and out-of-body-playing-style has been likened to Cecil Taylor and Sun Ra. As an organ-and piano-player, he creates solo- and collaborative works for organ, piano and multi-channel electronics as well as installation-works. Writes and produces “Panser” with Peter Peter as well as the popular electronica-act “Ganga” and has been scoring film-classics as “Battleship Potemkin”, “Metropolis” and “Man with a Moving Camera”.

More about Christian Rønn: https://christianronn.dk/

Scorpionizer by Pär Thörn / TR Kirstein

Scorpionizer, a CD by the Danish sound artist and writer Tobias R. Kirstein and the Swedish writer and performance artist Pär Thörn is a mixture of paranoid drone music, industrial loops, perverted field recordings and occult transmissions. With the use of found sounds, sinewaves and lo-fi samples the two artists construct an obscure repetitive stuttering narrative; a dark splintered novel about people in the shadow struggling to save themselves from an endagering situation. An intense soundworld with references to true crime, teleevangelism and HP Lovecraft.

Mastered by Claus Haxholm.

Edition of 150.

100 dkk/ 13 eur plus porto 

Pär Thörn https://storno.wordpress.com/

More details soon on www.topos.media

Review in Vital Weekly

“This is a most curious release of some extreme excursions in the world of tonality. Tobias Kirstein is called a sound artist and writer and acts here also as a label boss, and he teams up with Pär Thörn, who had before a couple of releases on Firework Edition, Kning Disk, Diskret Förlag and such. There are no instruments mentioned on the cover or the website here, but it is easy to say this all deals with electronic sounds. We have high-pitched frequencies, sub-low bass, hissy textures and the lowest of low-resolution samples. Voices play a role too, but I have no idea if these are from either of the two composers or perhaps lifted from other sources. With some distortion going on, I could easily (and maybe wrongly) think these voices come from short wave radio. The final piece, of eight in total, is ‘No Radio Is Innocent’, lasting almost thirty-eight minutes and perhaps that title got me thinking. In ‘They Came In’, the channels are strictly separated; one side has the voice/narration, which seems like ‘scene of the crime’ sort of thing and a dirty mid-range rumble in the other channel. It is altogether quite grim this music. The extreme frequencies occasionally used versus the spoken word, even when it is hard to decipher what it is all about, made this a very pleasant yet very dark ride. It is like watching a horror film of which you are not sure is a horror film. It might all be very creepy and it very well might be something entirely different. This is one of those things that leaves everything wide open. (FdW)”

Future: a vinyl release by John Duncan / TR Kirstein

If everything go as planned the revered dutch label Moving Furniture Records will release a joint venture between john Duncan and TR Kirstein in 2021.

JOHN DUNCAN has operated for decades at the cutting edge of performance, video, experimental music, installation, pirate radio and television. He has played a pivotal role in the development of performance art in Los Angeles, of experimental music as a member of LAFMS, of Japanese noise and pirate radio in Tokyo. Duncan’s work in experimental music continues to have a lasting influence as his art overall continues to be honed, refined, sharpened. http://www.johnduncan.org/

Moving Furniture Records is a label based in Amsterdam, The Netherlands specialized in releasing experimental electronic run by Sietse van Erve, started in October 2008. The label has a strong focus on drones, experimental ambient, minimalist, microtonal and field-recordings music, but we don’t limit us to this.

Moving Furniture Records has released music by both renowned, musicians such as Frans de Waard, Gareth Davis & Merzbow, BJNilsen and Machinefabriek, as (young) new talent such as Find Hope In Darkness, Zeno van den Broek, Bas van Huizen, Rose & Sandy and Haarvöl.

Torino – a soundpiece for the venue Tape.

https://www.tapeaarhus.dk/

TR Kirstein/Lars Lundehave Hansen -Sleep, Night

https://toposmedia.bandcamp.com/album/tr-kirstein-lars-lundehave-hansen-sleep-night

Lars Lundehave Hansen has been working with ephemeral drones and physical music for the past 20 years – as a soundartist, enthusiastic promotor of and dedicated performer in these fields. He co-founded legendary organization Noisejihad and was the catalyst behind danish renowned drone-act Wäldchengarten. Follow his endeavours into sound beyond music on his website or through Tonometer Music
www.larslundehavehansen.dk
tonometer.dk

Parasitic capacitance

New digital release: Carl Michael von Hausswolff & Tobias R. Kirstein plays Cities of the Red Night

A duo concert by Carl Michael von Hausswolff and Tobias R. Kirstein combined with a projection of the latters danish translation of William S. Burroughs’s novel ‘Cities of the Red Night’ for the audience to read aloud during the concert, at Mayhem, Copenhagen.

Live recording at Mayhem, 2018.
Cover photo by Geraldine Hudson.

Topos 00/00/00 is a series of a weekly digital releases.

The Topos 00/00/00 series are works made by Jacob Kirkegaard, T.R. Kirstein or Niels Lyhne Løkkegaard as individuals, together or in collaboration with other artists working with sound.

By purchasing this digital release you will be supporting future releases from the E.A.T. archives.

www.topos.media

http://toposmedia.bandcamp.com/album/cm-von-hausswolff-tr-kirstein-plays-cities-of-the-red-night

New split release on Spricht Editions

Here we have a three-way split with three distinct artistic practices by Jesper Elving, Tobias Kirstein and Claus Haxholm.

Jesper Elving produces extra-lingual poems, with self-composed words put into strict gridlike structures that give the sense of musicality and enhance the more meditational effect of Elvings poetic constructions. Tobias Kirstein has worked with the hidden values of sound and being, not necessarily as an occult practice but rather in the vein of of LeWitts iconic Sentences ; “the conceptual artist is rather a Mystic than a rationalist” and through this lens Kirstein works with History and a sort of Introvert activism often via Drone and field recording. Claus Haxholm is an Artist and Musician working with tropes of Black Metal, analysing and dissecting the vocal expression of this genre. Solely focusing on the vocal, Haxholm shifts the perspective from the emotional and narrative to the more analytical bodily manifestations of screaming out your guts and lungs.

The release works as a human-designed prism, dealing with the prime elements of Language: Letter, Context and Emotion; all connected in “Expression” (voicing/communication) – something that Language somehow often seems to have a hard time splitting itself from. That split is not constructed here, but at least it opens bit up and all of the Expressions on this release expands on what (mind/throat-based) Language can take the form of. Personal and Collectively.

Released November 2019 by Spricht Editions.
credits
released November 11, 2019

all rights reserved

https://sprichteditions.bandcamp.com/album/jesper-elving-tobias-kirstein-claus-haxholm-3

Elektro-akustisches Phänomen composed for a tape released by Radikal Unsichtbar

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Composed and compiled by TRK in 2019.
Recorded by TRK at Kunsthøjskolen i Holbæk with a generous contribution from students and teachers, spring 2018.

 

Read more here http://unsichtbar.net/

Curated by Louise Vind Nielsen