Read a review here:
Pythia’s Journals is a monomedia art festival text, sound & visual art that offers different possibilities to think, act and sense ourselves into a future.
Pythia was the interpreter of the curious singing sounds from the intoxicated oracles. She transformed the seemingly incoherent utterings coming from the hazy cave into cryptical prophetic messages for the curious. And we are so ever curious to read those journals from the future.
So, this is not about the pandemic per se. This is about the future.
The inability to envision a future, because of an all-encompassing present time as a state of mind is one definition of depression (as described by Mikkel Krause Frantzen in his book Going Down Slow). Pythia’s Journals wanted to ease us out of this stasis by providing strange and radical artworks as possible and impossible futures.
The internet of course has its own limitations, hence ‘monomedia’. On the other hand it offers a cheap, easy, and international forum across distances that are now otherwise closed down.
So we decided to make an online festival filled with a strange energy, with an easy touch and with swift decisions. It needed to be done in one fast and precise movement, a stroke of luck, when you hit the ball just right, as when the stone skips across the water it bounces impossibly on the surface.
We compiled a quick list of local and international artist and – though we had no money- we contacted them with this naïve and ambitious idea of creating a platform to think and envision futures on a medium that during lockdown seemed to be the only safe* public space where we could try to grasp what was going on.
Most said yes. Thank you to all of you.
The artists are: Elena Lundquist Ortiz, Alexander Holm og Stine Frandsen, Miss Fish, Nanna Gro Henningsen, Marja-leena Sillanpää (S), Francesca Burratelli (Dk/It) Leyya Mona Tawil/ Lime Rickey International (Syria, Palestine, US), Pär Thörn (S), Ursula Nistrup, Mycelium, John Duncan (US), Kristoffer Ørum, Marcela Lucatelli (br), Don Dietrich (us), Geraldine Hudson (uk), Marie Eline Hansen, Danielle Dahl (no), Ragnhild May, Kristoffer Raasted, Puce Mary, Claus Haxholm, Jacob Lillemose, Marianne Jørgensen, Christian Vogel (uk) and prophetic mixes by Joachim Nordwall (s) Cejero DJs, Isak Tind, Mark Kirkegaard Andersen.
All adventurous, curious and radical artists in their own right
This focus of artistic energy has resulted in a great collection of videos, texts, sounds and images mostly new and some older works set in a new context. Some short, some very long, some dark, some cryptical… all interesting and thought enticing
The festival starts on may 13 and goes on until may 16. New works are uploaded during these days. The artworks will then be online until may 26.
Pythia’s Journals is an online festival and we ask for the audience to buy a ticket to experience the art. Everything goes directly to the participating artists. We encourage you all to buy works directly from the artists and bandcamp.
We are very grateful to Nordisk Kulturfonds opstartspulje for the quick decision to support the festival.
All of this funding also goes to the participating artists.
We hope that you will buy a ticket and enjoy this quickly established attempt to create something beautiful, interesting and prophetic. We hope you too can read the hazy singing that can bring us into a different future.
Signe Vad & Tobias R. Kirstein
(For optimal sonic pleasure, please use headphones)
Disformation is an experimental music label conceived by Casper Gottlieb and Jesper Bagger Hviid.
“A common element of the musical pieces on these releases is that they are claiming space like an uninvited guest: They occupy your room, leaving no other option but to give in. They demand your attention without ever asking for it, and they don’t complement anything but themselves. An example of this is TR Kirstein’s forthcoming release, “Daimon Fortis”.
“Daimon Fortis” unfolds as a drone piece that is meandering slowly around itself. Time is vanishing and is blurred out completely. Listening through this release is a highly rewarding experience. Deep square waves are being modulated almost unperceivably into the sonic product of a machine meditating. This confronts us with how passive and relentless machines are. They enforce their own rhythms on us, simply because they are not as flexible as we are. And it is our flexibility which allows us to be overtaken. We cannot communicate with a machine: They do not provide any response or reaction. Consequently, this requires us to adapt, in an act of reverse ergonomics. Machines have become the circumstances under which we change.”
Read an intelligent and interesting text about the project here: